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Cosa Rapozo
Guanajuato, 1987
Her habitual practice uses speculation. She understands speculation as a wrapper that gives power to ordinary stories. Currently, her speculations are mainly focused on storytelling and representation of shamed, plundered and demoralized civilizations. considering the socio-anthropological field as a starting point.
In her work, there are stages marked by interests that begin and come to an end. The approach to these particular interests, which are different between them, determine the work processes and the plastic/visual language of each project.
Cosa considers that the appropriation and intervention -both plastic and symbolic- of what she finds in her daily life is part of her statement and her main way to trigger critical thinking.
Incordio, 2023
Synthetic leathers and lost wax metal casting
63 × 62.5 cm
Navajas de corte, 2023
Lost wax metal casting
5 x 4 x 2.5cm
Under Clothes 2023
Shaved synthetic leather and lost wax metal casting
80 x 40 cm
Grrrr! (miauuu!), 2023 (detail)
Shaved synthetic leather and lost wax metal casting
300 × 170 x 10 cm
Grrrr! (miauuu!), 2023
Shaved synthetic leather and lost wax metal casting
300 × 170 x 10 cm
Pellejo, 2023
Synthetic leather and lost wax metal casting
230 × 90 x 10 cm
Señuelo, 2023
Synthetic leather and lost wax metal casting
170 × 75 x 17 cm
flower push pin, 2023
Colored pencil on paper and lost wax cast metal
30 × 24 x 3 cm
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